Tag: video

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iPod (Generation 5, 60GB, 2006)

The iPod Generation 5, also known as iPod with video, was the first iPod model capable of displaying video. This device’s part number is MA003LL/A, and its model number is A1136. Apple describes this iPod:

“The iPod (5th generation) is a hard drive-based iPod featuring a large, widescreen color display, a Click Wheel, and the capability of displaying photos and videos. It uses USB for syncing.”

According to EveryMac:

“It uses a 30 GB or 60 GB 4200 RPM ATA-66 hard drive, capable of supporting up to 7,500 songs or up to 15,000 songs in 128-Kbps AAC format. Additionally, Apple reports that the 30 and 60 GB drives, respectively, can hold over 1000 or 2000 4-minute videos in H.264…”

Apple described the color of this iPod as “iBook white” (after its laptop sold at the same time), or “jet black” for the U2 version of this iPod. All iPod Generation 5 models had a chrome stainless steel back. The 30GB model of the Generation 5 iPod was 31% thinner than the 30GB Generation 4, and the 60GB model of the Generation 5 iPod was 12% thinner than the 60GB Generation 4.

This iPod had a 2.5-inch (diagonal) QVGA transflective color LCD display (at 320×240) capable of displaying over 260,000 colors. The backlight was both larger and higher-resolution than earlier iPod models.

EveryMac reported that:

“The iPod 5G can immediately display many types of photos transferred directly from a digital camera using the iPod Camera Connector (US$29), and can display photo slide shows on the internal display or a television using the included AV cable (S-video, data and audio output, and a variable line output port are provided by the optional Universal Dock (US$39) that also provides support for the Apple Remote (US$29). Unlike earlier iPod models, it also supports video playback on the internal display or on a television (at a maximum resolution of 480×480).”

Source: Apple (Identify Your iPod), EveryMac

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iPhone 11 (64GB, Purple, with iPhone 11 Clear Case, 2019)

When Phil Schiller introduced the iPhone 11 at a special event on September 10, 2019, he described the device:

“iPhone 11 is the next generation of iPhone, packed with great new capabilities in an incredible design, including new Ultra Wide and Wide cameras for gorgeous videos and photos, the power and ease of use of iOS 13, and A13 Bionic—the fastest chip ever in a smartphone that quickly handles the tasks that matter most to people every day.”

The iPhone 11 was the first of Apple’s base model phones to include a dual-camera system. Apple described the cameras in a press release:

“iPhone 11 introduces a dual-camera system with all-new Ultra Wide and Wide cameras that are deeply integrated into iOS 13, offering the highest quality video in a smartphone and major advancements in photography for the ultimate camera experience.”

Compared to previous models, the camera system was a major leap forward for iPhone. The camera system had two 12MP cameras (Ultra Wide and Wide). The A13 chip allowed Portrait mode with advanced bokeh and Depth Control, and Portrait Lighting included six effects: Natural, Studio, Contour, Stage, Stage Mono, and High-Key Mono. Panorama mode allowed photos of up to 63MP. Videos could be recorded at up to 4K (at 24, 25, 30, or 60 fps). Machine learning capabilities allowed Cinematic video stabilization (4K, 1080p, and 720p) and continuous autofocus video.

iPhone 11 was available in six “stunning colors” including purple, green, yellow, black, white and PRODUCT(RED). This example is purple, a lighter shade of purple sometimes referred to as “lilac.”

This phone had a Liquid Retina HD display that measured 6.1‑inch (diagonal) display at 1792 x 828‑pixel resolution (326 ppi). The A13 Bionic chip allowed for “the best machine learning platform in a smartphone” at the time of its release. It used a 6-core CPU with 2 performance and 4 efficiency cores, a 4-core GPU, and an 8-core Neural Engine.

The iPhone 11 was also the first base iPhone to lack a Home button. Its six sensors included Face ID, barometer, 3‑axis gyro, accelerometer, proximity sensor, and an ambient light sensor.

The design of the iPhone 11 included rounded edges and the front and back were made of glass. Apple noted, “With a back design that is precision milled and sculpted from a single piece of glass, iPhone 11 features the toughest glass ever in a smartphone.”

This iPhone is shown in an iPhone 11 Clear Case. Apple described the case as “Thin, light, and easy to grip.” According to Apple’s website:

“Made from a blend of optically clear polycarbonate and flexible TPU materials, the iPhone 11 Clear Case provides a solid, comfortable feel. The back is designed to be sturdy, while the sides are made from a softer, more flexible material that fits right over the buttons for an improved grip. And when it’s time to wirelessly charge, just leave the case on and set your iPhone on your Qi-certified charger. On the surface, a scratch-resistant coating has been applied to both the interior and exterior. And all materials and coatings are optimized to prevent yellowing over time.”

Sources: Apple (specs, Newsroom)

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iPod nano (Generation 4, 8GB, purple, 2008)

Replacing the “squat” design of the Generation 3, the iPod nano Generation 4 (model A1285) returned to a “skinny” design similar to its predecessors. The new wraparound curved aluminum and glass case was offered in an unprecedented nine colors: silver, black, purple, blue, green, yellow, orange, pink, and (PRODUCT) RED Special Edition. The display was a wide-format 2-inch (diagonal) color LCD display at 320×240.

The iPod nano Generation 4 used Click Wheel navigation and had either 8 GB or 16 GB of flash memory, capable of storing 2000 or 4000 songs, 7000 or 14,000 photos, and 8 hours or 16 hours of video.

Apple indicated that “You can distinguish the iPod nano (4th generation) from previous iPod nano models by:”

  • Its taller screen
  • Its curved surface
  • Its oval shape when seen from the top or bottom
  • The inclusion of an accelerometer that is used by the Shake feature.”

The iPod nano Generation 4 included an accelerometer (automatically switched to “Cover Flow” navigation in landscape orientation), games and videos only played in landscape, a new Genius feature to dynamically create playlists, and shake-to-shuffle for songs. Accessibility options were added including larger text and spoken menu items. It also included Nike+iPod support, FM radio tagging (using the Apple Radio Remote), support for audio crossfade, and games including Maze, Klondike, and Vortex.

Source: Apple (Identify Your iPod), EveryMac

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iPod nano (Generation 4, 8GB, (PRODUCT)RED, 2008)

Replacing the “squat” design of the Generation 3, the iPod nano Generation 4 (model A1285) returned to a “skinny” design similar to its predecessors. The new wraparound curved aluminum and glass case was offered in an unprecedented nine colors: silver, black, purple, blue, green, yellow, orange, pink, and (PRODUCT) RED Special Edition. The display was a wide-format 2-inch (diagonal) color LCD display at 320×240.

The iPod nano Generation 4 used Click Wheel navigation and had either 8 GB or 16 GB of flash memory, capable of storing 2000 or 4000 songs, 7000 or 14,000 photos, and 8 hours or 16 hours of video.

Apple indicated that “You can distinguish the iPod nano (4th generation) from previous iPod nano models by:”

  • Its taller screen
  • Its curved surface
  • Its oval shape when seen from the top or bottom
  • The inclusion of an accelerometer that is used by the Shake feature

The iPod nano Generation 4 included an accelerometer (automatically switched to “Cover Flow” navigation in landscape orientation), games and videos only played in landscape, a new Genius feature to dynamically create playlists, and shake-to-shuffle for songs. Accessibility options were added including larger text and spoken menu items. It also included Nike+iPod support, FM radio tagging (using the Apple Radio Remote), support for audio crossfade, and games including Maze, Klondike, and Vortex.

Source: Apple (Identify Your iPod), EveryMac

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Apple Studio Display CRT (17-inch, ADC, 2000)

At the Macworld Expo in New York CIty on July 19, 2000, Apple announced three new Studio Display designs “in stunning crystal-clear enclosures”—two flat panel displays and this CRT (Cathode Ray Tube) Apple Studio Display.

The displays, designed to complement Apple’s Power Mac G4 Cube and Power Mac G4 professional desktops, shared three distinct features:

“each is powered from the computer, eliminating the need for a separate power cord; each has a two port powered USB hub for convenient connection to desktop USB devices, such as keyboards, USB speakers and digital cameras; and each utilizes the Apple Display Connector, a revolutionary new cable that carries analog and digital video signals, USB data and power over a single cable and features a quick latch connector.”

Steve Jobs noted that “These new beautiful displays perfectly complement our new extraordinary computers. Their innovative design helps clean up desktop cable clutter, and makes set-up a breeze.”

According to Apple’s press release, “The 17 inch (16 inch viewable) Apple Studio Display features a Natural Flat Diamondtron CRT, extraordinarily sharp text and ColorSync internal calibration to keep colors accurate over time. [The] Display…features both futuristic styling and a unique electrical design that supports multiple resolutions at over 100Hz vertical refresh rate.”

The site 512 Pixels provided several additional comments, writing that the “Studio Display (17-inch ADC) was the last standalone Apple display to feature a CRT. At 17.4 inches it was deeper than it was wide. At 45.8 pounds, it was heavier than a iMac G3.” They also comment on the industrial design of the display:

“Instead of hiding the display’s guts inside opaque plastics and metal shield, the 17-inch ADC has a crystal clear case that allows anyone to see the internal workings of the Naturally Flat Diamondtron CRT suspended inside. By revealing all, the Studio Display (17-inch ADC) has nothing to hide. Its transparency and minimalism is pure Apple.”

According LowEndMac, the Apple Display Connector (ADC) used in this display is a proprietary display and data connector developed by Apple. It is a modification of the DVI (Digital Visual Interface) connector that combines analog and digital video signals, USB, and power all in one cable. This connector was used by Apple between 2000–2004.

Sources: Apple Newsroom, 512 Pixels, LowEndMac

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Why Macintosh? complete box set (1997)

One of my Apple collection entries includes a set of books I titled the “Macintosh Advantage Collection (1996)” that contains the following materials:

  • 50 Macintosh Advantages book (1996)
  • Why do People Prefer Macintosh? brochure (1996)
  • Why Macintosh? brochure (1996)

I recently acquired a brown cardboard shipping box measuring 11.5 x 8.75 x 6.5 inches, complete with its original shipping label to its original recipient—a former Apple sales rep. Apparently, the three items I cataloged above are a part of a larger collection for potential Apple customers that was used in late 1990s.

The shipping label refers to this box as Apple part 52241, and based upon the part numbers that follow, this box contains all its original contents. I have listed the part numbers below and matched them to their items. At the end of each part number an asterisk is followed by a number, likely indicating the quantity of each item (all quantities are “1” in this box, except for the 5 Apple logo window clings).

Curiously, two of the VHS video tapes in the box include both the NTSC and PAL formats—an odd choice since, generally, only NTSC was used in the United States.

Part number list and box contents:

  • 52241—Part number for entire box
  • L02206A—6-color Apple logo sticker set
  • L02270A—Apple’s Operating System Strategy, March 1997, VHS tape (NTSC format) L02270APAL—Apple’s Operating System Strategy, March 1997, VHS tape (PAL format)
  • L02222A—Apple and NeXT: Combining unparalleled ease of use with industrial-strength performance, Information About Apple’s OS Strategy, January 1997, 8.5 x 11-inch whitepaper, 4 pages
  • L02181A—Apple Technology Update—Mac OS 7.6, January 1997 VHS tape (NTSC format)
  • L02177A—The 1997 Apple MacAdvocate CD-ROM. (Spring 1997)
  • L01760A—Macintosh or Windows? Spring 1996 VHS tape (NTSC format)
  • L01760APAL—Macintosh or Windows? Spring 1996 VHS tape (PAL format)
  • L01856A—Personal Computer Satisfaction: An Independent Study of People Who use Both Macintosh and Windows 95 Computers (Evans Research Associates) (1996)
  • L01973B—Go figure: A Quick Look at Some Important Apple Facts, 1.97 10-panel, full-color brochure (1997)
  • L01970A—Apple logo window clings (quantity 5)
  • L01667A—Why Macintosh? booklet (1996)
  • L00440C—50 Macintosh Advantages, Why Macintosh computers are better than PCs running Windows 95. 1996, 8.5 x 11-inch booklet
  • L01749A—Why do People Prefer Macintosh? (Why people think Macintosh computers are better than PCs running Windows, in their own words.) April 1996, 8.5 x 11-inch booklet
  • Not listed on box, likely sent with Mac OS 7.6 VHS tape: L02182A—Mac OS 7.6 At a glance tri-fold brochure (2-color)

While the above books are detailed in my previous post, a fascinating new addition to my collection is the seemingly innocuous Apple and NeXT whitepaper. The 4-page document is the first printed source I have seen that describes Apple’s plan to proceed after their acquisition of NeXT. The whitepaper describes the “Rhapsody” project—the operating system that eventually becomes Mac OS X—the basis for the macOS we use today, over 25 years later. The whitepaper includes this description:

“Rhapsody is the code name of the first system software effort planned from the prospective union of Apple and NeXT. Its intent is to extend the existing strengths of both companies to provide a computing environment that is both stronger and more flexible—and, ultimately, better able to meet the needs of our customers.”

This Why Macintosh? complete box set is a fascinating glimpse into Apple’s pre-Internet communications plan with customers at a pivotal time in their history—just after Steve Jobs returned to the company.

Source: Apple

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Final Cut Studio, Version 3.0, Install DVDs (NFR, 2009)

Final Cut Studio was a suite of video editing, production, and post-production software created by Apple and sold between 2005–2011. Version 3.0 was the final release of Final Cut Studio and contained the following applications:

  • Final Cut Pro 7—real-time video editor for DV, SD, and HD formats
  • Motion 4—real-time motion graphics design application
  • Soundtrack Pro 3—advanced audio editing and sound design application
  • DVD Studio Pro 4—application for encoding, authoring, and burning DVDs
  • Color 1.5—color grading application
  • Compressor 3.5—video encoding tool for exporting projects in different formats
  • Cinema Tools 4.5—application providing tools specific to film processing
  • Qmaster 3—distributed processing tool

Apple’s press release for this version of Final Cut Studio began with:

“Apple today announced a significant update to Final Cut Studio with more than 100 new features and new versions of Final Cut Pro, Motion, Soundtrack Pro, Color and Compressor. Final Cut Studio features Final Cut Pro 7 which expands Apple’s ProRes codec family to support virtually any workflow and includes Easy Export for one step output to a variety of formats and iChat Theater support for real-time collaboration.”

This set includes 7 DVDs. This version is NFR, Not for Resale.

Sources: Apple, Wikipedia

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StartingLine: Apple Marketing Communications Catalog (Spring 1993)

This catalog is titled StartingLine: Apple Marketing Communications Catalog and was released in Spring 1993. It measures 8.5 x 11 inches and is spiral-bound with white plastic. The front and back covers feature colorful, brush-stroke stylized graphics of the types of products featured in the catalog. The cover describes the contents of the catalog as containing:

Ad Slicks
Literature
Product Art
Merchandise
Photography
Videos
Data Sheets
Over 150 new items to choose from

The Table of Contents reveals four major sections: Product Materials, Merchandising, Markets and Solutions, and Additional Information. The catalog provides a welcome message:

“Welcome to the Spring 1993 edition of StartingLine, Apple’s marketing communications catalog. As you can see, there have been some exciting changes. We’ve combined the Print, Revue, Merch, and Video catalogs into a single volume with hundreds of new items to line up to all your marketing and sales support programs. Plus, as always, we’ve included a completely updated Apple Media ToolKit CD-ROM, Apple’s electronic source for customizable marketing communications materials.”

For a collector, the Merchandising section of this catalog is a treasure trove of Apple-logo item information from the time. Included below are photos of the entire Merchandising section that provide product shots and descriptions. This source has allowed me to confirm provenance, date, and an “official” description for several items in my collection.

Source: Apple

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Mini-VGA to Video Adapter (unopened, 2008)

Apple’s Mini-VGA to Video Adapter was designed so Mac computers with a built-in Mini-VGA port could be connected to a device with an RGB video or S-video port. According to the packaging, compatible devices included:

“iBook without an external reset button, 12-inch PowerBook G4, or 17-inch iMac (1.0GHz) with mini-VGA port.”

The packaging included a bag with a white back and clear front to fully view the adapter that was being purchased. The bag was sealed with a black cardboard top printed with product information. The font used was Apple Myriad, Apple’s corporate font of the time.

Source: Apple (product package)

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MacBook Pro 15-inch (Core 2 Duo, 2.4 GHz, early 2008)

This MacBook Pro 15-inch laptop was released in early 2008 with an identical case design as its predecessor. It shipped with a 2.4 GHz Core 2 Duo (Penryn) processor and 2 GB of 667 MHz SDRAM. It contained a 200 GB hard drive and 8X DVD RW/CD-RW SuperDrive. The display was an LED-backlit 15.4-inch widescreen at 1440×900 resolution.

Although the external case did not change from the “Santa Rosa” processor version of the laptop that preceded it, the keyboard design removed the numeric keypad accessed using the fn (function) key and replaced the right-side enter key with an additional option key, the same laptop keyboard layout still in use now (as of February 2020). This MacBook Pro also used the same trackpad design as the MacBook Air of the time, adding multi-touch gestures.

Ports on this MacBook Pro included an ExpressCard slot, Gigabit Ethernet, FireWire 400, Firewire 800, two USB 2.0 ports, optical digital audio in/out, and DVI out. Wireless connections included AirPort Extreme (802.11a/b/g/n) and Bluetooth 2.1. It also included an iSight video camera and MagSafe power connector, both standard at the time.

When I acquired this laptop, its battery had burst while installed in the laptop. The battery failure caused the battery to bow in the center and it was lodged in the case. Using a few iFixIt spatula tools, I was able to extract it safely and then properly dispose of the ruptured battery.

Source: EveryMac