When Apple released the 9.7-inch iPad Pro, they described the device: “Breakthrough Pro Features & Advanced Display Technologies Come to the Most Popular iPad Size.” Phil Schiller, Apple’s senior vice president of Worldwide Marketing, added,
“iPad Pro is a new generation of iPad that is indispensable and immersive, enabling people to be more productive and more creative. It’s incredibly fast, extremely portable, and completely natural to use with your fingers, Apple Pencil and Smart Keyboard. And now it comes in two sizes. The 9.7-inch iPad Pro has a new Retina display with True Tone technology, four-speaker audio system, blazing fast A9X chip, 12-megapixel iSight camera, 5-megapixel FaceTime HD camera, faster wireless, and support for Apple Pencil and Smart Keyboard. It is the ultimate upgrade for existing iPad users and replacement for PC users.”
The iPad Pro 9.7-inch was offered in Silver, Gold, Space Gray, and Rose Gold in Wi‑Fi-only and Wi-Fi+Cellular options with 32GB, 128GB, or 256GB storage. This is a Space Gray, Wi-Fi-only, 32GB model.
Its form factor was similar to other 9.7-inch iPad models offered by Apple. It measured 9.4 inches (240 mm) x 6.6 inches (169.5 mm), and was 0.24 inch (6.1 mm) thick. It weighed 0.96 pound (437 grams).
The primary back camera was 12-megapixel with features including Live Photos, Autofocus, True Tone flash, Panorama (up to 63 megapixels), and auto HDR. The front FaceTime HD camera was 5-megapixel with support for 720p HD video recording.
This iPad had 6 sensors, including Touch ID, a 3‐axis gyro, accelerometer, barometer, ambient light sensor, and Touch ID built into the Home button.
The iPad 9.7-inch shipped with iOS 10. As of 2023, Apple has never released another 9.7-inch iPad Pro model.
“…an amazing companion for iPad Pro 11-inch and iPad Air. It features an incredible typing experience, a trackpad that opens up new ways to work with iPadOS, a USB‑C port for pass-through charging, and front and back protection. The Magic Keyboard has a floating cantilever design, allowing you to attach iPad Pro and iPad Air magnetically and to smoothly adjust it to the perfect viewing angle for you.”
When it was originally released, Apple touted that the iPad Magic Keyboard provided “A Unique Floating Design, Backlit Keyboard and Trackpad Make for the Best Typing Experience Ever on iPad.”
This iPad Magic Keyboard (model A2261) attaches surprisingly firmly to the iPad with magnets and still allows you to adjust the angle without becoming unattached. Further, it “Folds into a case to provide front and back protection for traveling with iPad Pro and iPad Air.”
Other features listed by Apple include:
Comfortable backlit keys and a scissor mechanism with 1 mm travel for quiet, responsive typing.
Designed for Multi‑Touch gestures and the cursor in iPadOS.
Smooth angle adjustability delivers the perfect viewing angle.
USB-C port for charging iPad Pro and iPad Air, freeing up the port on the iPad for other accessories.
This particular Magic Keyboard is compatible with an impressive number of iPad models, including iPad Pro 11-inch (Generations 1–4) and the iPad Air (Generations 4–5).
Shortly after I received my iPhone 13 Pro that included several new impressive camera upgrades, I wondered if the iPhone camera system had yet improved to the point that it could meet or exceed my Nikon D3500 for my Apple collection photography. While I am by no means a professional-level photographer, I have captured tens of thousands photos of my Apple hardware and collectibles over the past few years, and then edited and posted the results here on my Apple Collection website and blog.
Nearly all the photos on this website were captured with a Nikon D3500 with a basic lens. In fact, it took me about a year to learn how to use this camera—my first Digital SLR. I consulted several websites, a book, and YouTube videos to learn the many methods I now use regularly. I shoot the photos in my relatively low-cost home photography studio. While I originally set out to spend less than $100 on the lighting, backdrop, and table, I upgraded my lighting after two years to bring the total investment to about $150.
As an Apple Collector, I find the idea attractive to use an Apple camera to capture my Apple collection, but this has never been a goal. I decided to shoot photos of one collection item with both the iPhone 13 Pro and the Nikon D3500. The item selected was my recently purchased iPad Pro 11-inch with the M1 chip. The photo session includes the unboxing and the device.
Here’s what I learned.
At first, using the iPhone 13 Pro seemed more liberating than the Nikon D3500 because shooting with a phone seemed a bit more nimble than the larger camera. The iPhone screen is considerably larger than the Nikon’s viewfinder and display—and the iPhone shows a better representation of the subject in real time, especially when viewing the depth of field effects rendered with the iPhone 13 Pro.
I changed my mind when I started using the iPhone 13 Pro’s touted Macro features. As it turns out, when you get close to an object with the iPhone 13 Pro, the phone casts a shadow from the studio lights, making the photos nearly unusable without readjusting all my lighting. On the Nikon, I just twist to zoom the lens. While I generally don’t capture many Macro shots, I’d definitely consider adding more if it was easy to do so.
That being said, a few of the Macro shots I captured from the iPhone 13 Pro were impressive after a bit of light fussing.
Macro Lens Issue
When the initial reviews for the iPhone 13 Pro started getting posted, I read about one particular problem with incredulity—the issue of the iPhone camera switching frames when moving between the “regular” camera lens and the Macro lens. Very often, reviewers over-state issues as major problems that turn out to be very minor annoyances. Unfortunately, this is not one of those times.
Reviewer Raymond Wong for inputmag.com states the issue well: “…if you have your iPhone 13 Pro camera set to the 1x wide camera and place an object or a subject within 14 centimeters (5.5 inches) of it, the viewfinder will maintain the 1x framing/composition but use the ultrawide’s close-range autofocusing in tandem. You can literally see the viewfinder flicker/pop and ‘switch’ to this hybrid viewfinder.”
In my experience, Mr. Wong may have understated this problem. When I attempted to frame my Macro shots, I moved the lens to the 2cm zone where I expected the Macro feature to engage, and the iPhone not only reframed my shot, but when the lens changed, I was unable to re-locate the part of the subject I wanted to capture.
How does this happen, you might ask?
If you are shooting, for instance, the overall texture of a surface, getting 2cm from the surface and having the camera system switch to a different lens is not much an issue since the surface you are shooting covers the area still viewable by all the camera lenses. However, if you are attempting to photograph a detail that’s just a few millimeters wide, getting the lens within 2cm and then having then lens switch to a different lens that’s about 2cm away, you have now lost your subject! Most of the time, I couldn’t find the subject again—AND the lenses kept switching as I was attempting to re-locate the subject.
IT WAS INFURIATING, but Apple claims to have a fix for this coming.
For both photo shoots, I used the exact same lighting comprised of my three lighting sources: two bright daylight CFL studio lighting bulbs behind a filter (the primary lighting source), two non-filtered daylight CFL studio lighting bulbs providing mostly indirect lighting on the white backdrop, and two LED bulbs providing a “wash” from below my white backdrop. I occasionally use these old LED Philips Hue bulbs to provide a color wash on the backdrop, but they mostly are set to a pure white to match the studio lighting bulbs.
Despite the fact that the lighting was exactly the same for both cameras, the iPhone 12 Pro photos delivered very inconsistent backgrounds compared to the Nikon D3500.
Far more concerning to me, the iPhone 13 Pro captured the light from the Hue bulbs differently in every shot. Although the bulbs are set to pure white, the iPhone somehow captured the cycling individual colors of the LED bulbs. One shot shows this in detail where the background shows color bands of yellow, pink, and blue in distinct stripes of color. At the same time, all lighting looked far darker on the iPhone 13 Pro.
When editing, the only way to remove these odd colorations was to either greatly desaturate the iPhone photos or switch them to black-and-white. To be fair, the Nikon is not blameless in casting odd colors. However, when the D3500 casts color, it is usually yellow—it has never delivered color bands or multiple color casts in the same photo.
Surprise and Delight
When I set out to try the iPhone 13 Pro camera, I was thinking about capturing photos, not using the other features offered by the iPhone 13 Pro and iOS 15. One particular feature truly surprised and delighted me: Live Text.
As I shot the packaging for the iPad 11 Pro, the iPhone’s new Live Text feature immediately “read” and displayed the text on the box—and interpreted the printed text perfectly. Since my collection includes mostly old Apple items that may no longer be online (or difficult to find), my sources are sometimes limited to what’s printed on a box or included in a manual. The iOS 15 Live Text feature allows me to capture a photo of any text and instantly have the ability to select, copy, and paste the text from my photo and use it in my accompanying blog post. Live Text will save countless hours in the future when photographing new items when only printed information is available.
Incidentally, Live Text also perfectly interpreted a printed serial number. I capture serial numbers for every item in my collection, and I dread doing so since they are generally difficult to read and prone to transposition errors. This will make the activity far more palatable.
I was not expecting to consider using Live Text, and the feature is exceptionally useful.
When comparing the photos from the two camera devices, the overall photo quality is the most important aspect of this exercise. I am surprised by the significant differences between the devices.
While the iPhone 13 Pro photos show an impressive sharpness, that sharpness appears unnatural to me. All the photos appear to use a mechanical-looking pixel pattern compared to the more natural look of the Nikon. The unnatural pixelation is especially obvious in the Macro shots.
Overall, my opinion is that the Nikon D3500 photos look better than the iPhone 13 Pro photos.
I will continue to use the Nikon D3500 for my primary Apple Collection photography.
That being said, I will definitely reach for the iPhone 13 Pro when I want a Macro shot to add to my blog post. Similarly, when shooting older product packaging and/or manuals, I will use the iPhone’s Live Text features to grab the text so I don’t have to retype it.
Overall, this verdict is neither surprising nor disappointing to me. I have always had a “pick the right tool for the job” mindset, and this situation is no different.
To see the “official” photo shoot for the iPad Pro 11 (2021) in my collection, please see this post. The photos I captured with the iPhone 13 Pro are shown below in this post.
Sincere thanks to my friend Sid for suggesting this comparison! I learned a lot here.
This iPad Smart Folio was released in Electric Orange along with the Generation 3, 11-inch iPad Pro. This folio was also compatible with the Generation 1 and 2 11-inch iPad Pro models. Apple describes the Smart Folio for iPad Pro:
“The Smart Folio for iPad Pro is thin and light and offers front and back protection for your device. It automatically wakes your iPad when opened and puts it to sleep when closed. The Smart Folio attaches magnetically, and you can easily fold it into different positions to create a stand for reading, viewing, typing, or making FaceTime calls.”
In addition to black and white, this version of the Smart Folio for iPad Pro was also available in English Lavender, Dark Navy, Mallard Green, and this color called Electric Orange.
Unlike previous Smart Cover models for iPad, this Smart Folio offers front and back protection using the iPad Pro internal magnets. The front cover folds to allow two different angles, and also folds with the magnets to allow a completely flat position.
Finally, since this iPad is compatible with the Apple Pencil Generation 2, the Smart Folio allows the Apple Pencil to magnetically attach to the side of the iPad for storage and charging.
The Generation 3, 11-inch iPad Pro appears the same externally as its two predecessors, but uses Apple’s significantly faster M1 chip and adds an enhanced front camera. This iPad Pro featured an Apple M1 chip with an 8-core CPU with 4 performance cores and 4 efficiency cores along with a 16-core Neural Engine. The iPad Pro website boasts that this model is “Supercharged by the Apple M1 chip” with “Mind-blowing performance.”
“With M1, iPad Pro is the fastest device of its kind. It’s designed to take full advantage of next‑level performance and custom technologies like the advanced image signal processor and unified memory architecture of M1. And with the incredible power efficiency of M1, iPad Pro is still thin and light with all‑day battery life, making it as portable as it is powerful.”
This iPad Pro 11-inch uses an LED-backlit 2388×1668 Liquid Retina display (264 ppi, 600 nits) with a thin black bezel with rounded corners and flat sides. This iPad is Space Gray, and it was also available in Silver. This 128GB models used 8GB RAM (as did the 256 and 512 GB options, while the 1 and 2 TB models used 16 GB of RAM).
This iPad Pro included a USB-C port (Thunderbolt/USB 4) for charging and wired connectivity. Wireless connectivity included 802.11ax Wi-Fi 6 and Bluetooth 5.0. Cellular models were also available.
The 12-megapixel Ultra Wide front camera was the first iPad camera to offer the Center Stage feature that automatically keeps people in the camera frame by zooming and panning. Its two rear cameras included a 12-megapixel wide angle and a 10-megapixel ultra-wide angle lens.
Like iPhone Pro models of the time, this iPad Pro also included LiDAR and Face ID. It could also use a Generation 2 Apple Pencil that charged using a magnetic connection on the side of the iPad. A similar iPad Pro with a 12.9-inch screen was sold at the same time as this 11-inch model.
The 12.9-inch iPad Pro was powered by an Apple A9X processor and had 4 GB of RAM; 32, 128, or 256 GB of storage; a rear-mounted 8 megapixel iSight camera (1080p); a front-mounted 1.2 megapixel FaceTime HD camera (720p); 802.11a/b/g/n/ac Wi-Fi; Bluetooth 4.2; dual microphones; two sets of stereo speakers; and a Lightning port. The screen was a 12.9-inch TFT touch-sensitive Retina display with 5.6 million pixels (2732×2048 at 264 ppi) and included an antireflective coating. A cellular-equipped model was also available.
The 12.9-inch iPad Pro was available in silver with a white front, gold with a white front, and space gray with a black front. This model is space gray.
This iPad Pro included a new Smart Connector that provided connectivity and power for the Apple Smart Keyboard.
The Apple Pencil was announced with this first-generation iPad Pro on September 9, 2015. The Pencil could be used with the first and second generation iPad Pro models. It connected wirelessly using Bluetooth and had a removable cap that concealed a Lightning connector for charging. It used pressure sensitivity and angle detection and had very low latency, making it function like a real pencil with no delay.